In the winter of 2000, Lars Mathiesen (industrial designer) and Ole Klifoth were travelling the bounty islands of the Pacific. With no other aim than to visit a totally different part of the world.
One night at a bounty beach, after a few drinks, they sketched what later became the 6-series in the sand. They became so fond of the teardrop shape – because of its combination of form and function – that they drew it on the back of an envelope and brought it home to cold Copenhagen.
After some months of work, the Audiovector teardrop shape was finally born. And thus the 6-series, which is now the SR 6–series.
Originally a fine tuned development based on the SR 6 Avantgarde, the Arreté reflects our aim for the ultimate sound quality. The means to achieve this are better materials, more advanced technology and fine tuning – lots and lots of fine tuning.